{"id":1576,"date":"2015-02-27T12:09:44","date_gmt":"2015-02-27T17:09:44","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=1576"},"modified":"2023-05-09T15:29:55","modified_gmt":"2023-05-09T19:29:55","slug":"production-duo-baewatch-uses-splice-collaborate","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/production-duo-baewatch-uses-splice-collaborate\/","title":{"rendered":"How Production Duo Baewatch Use Splice to Collaborate"},"content":{"rendered":"

Anthony Torres and Jayson Earles\u00a0have been using Splice since early beta. These two producers started a duo project called Baewatch after discovering each other’s music online. They have never actually met in person! With Anthony in Colorado and Jayson in New Jersey, these two producers have been using Splice to collaborate and their remix of “No Flex Zone” just reached over 2 million plays on SoundCloud. You can sign up for Splice<\/a>\u00a0and learn more about their collaborative workflow with the platform.<\/p>\n

Splice:<\/strong>\u00a0Can you tell us about this project?<\/p>\n

Jayson:\u00a0<\/strong>Our buddy Frank who actually named Baewatch, told us we should make a remix of this track because he expected it to blow up soon. We ran with the idea and were really happy with the outcome. The response from the public\u00a0has been unreal and we never expected it to get the attention it did. \u00a0From the\u00a0millions of loops that spun off, people doing silly things on vine with the track playing in the background, to multiple uploads on Soundcloud and YouTube and garnering support from people we look up to most like Diplo<\/strong> and more! We couldn’t be any happier with the way the release went. We chose to feature this track\u00a0not only because of the response it received, but because people were asking in comments about how we produced this, especially how we made these trap drums.We actually made our own 808s with Ableton’s stock plugin Operator<\/a>, so we feel this will be really useful to other producers.<\/p>\n

Splice:<\/strong>\u00a0Describe your music and production background? How’d you guys start working together? What DAW\/gear do you use?<\/span><\/p>\n

Jayson<\/strong>: I\u2019ve played in bands in my teenage years and have always been musically involved all throughout my life. The turning point for me was when I was working as a stagehand for a Steve Aoki<\/strong> show in 2011. I was really intrigued by the environment and energy that his set put out. It really opened my mind up to the scene and from then on I started producing EDM.<\/p>\n

Anthony<\/strong>: I started producing hip hop about 7 years ago. I downloaded Reason and was working off a Dell computer and desktop computer speakers. I dabbled in EDM but wasn\u2019t taking it super seriously and only produced some amateur sounds.\u00a0In 2008, I moved to California and found out my cousin was a DJ at a huge night club party in hollywood called HEIST THURSDAYS. I decided to go to the club but\u00a0didn\u2019t expect to hear EDM being played. Electro<\/strong> and Steve Aoki<\/strong> were barely household names and I had no idea what I got myself into. A few drinks in and I was dancing to some house music and it inspired me to start making EDM.<\/p>\n

Jayson and I both met when we were working on separate collaborations with an artist named\u00a0E-VO.<\/strong>\u00a0We both stumbled on each others music online and liked each others work. This opened the door for us to\u00a0collaborate on four other projects that we really liked.\u00a0Everything just took off from there. We realized we had good chemistry when we worked together.<\/p>\n

Splice:\u00a0<\/strong>How did you collaborate prior to Splice, and how has that changed since using Splice?<\/span><\/p>\n

Jayson<\/strong>: Before Splice, we would send projects back and fourth between Dropbox. It was an absolute hell. Splice has made life much easier for us as collaborators as we are in different times zones. Honestly we don’t know if Baewatch would have made it just using Dropbox.<\/p>\n

Splice:\u00a0<\/strong>What do you hope the Splice community gets out of this public release?<\/p>\n

Jayson: <\/strong>We hope that the Splice community gains some insight on our style of producing this genre and especially how we make our Trap sound.

Splice:\u00a0<\/strong>Any other upcoming Splice projects you want to tell us about?<\/span><\/p>\n

Jayson<\/strong>\u00a0We have a Deep House track titled “Energy” that is dropping for free on Crooker’s label CIAO Recs<\/a> on March 3rd. The track was created and produced all using Splice. We would be happy to share more projects in the future.<\/p>\n\n\n

\n\n\n\n

Take your music further with the new plugins, fresh sounds, and more available in the Splice Creator plan:<\/p>\n\n\n\n

Explore Splice plans<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

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